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The golden rule is that if the arms or hands feel very tense, even painful to play, you're almost certainly doing something wrong. A manageable May Tension build on the work difficult, is inevitable. However, the stiffness or pain is a cardinal sign of incorrect technique. It is important to make sure your body is relaxed, and not only make the game available for liquids but also to avoid injuries such as pianist typical carpal tunnel syndrome. Here are some tips essential to help manage it.
The first order of business in her piano lessons, to ensure that warming to the task. Almost all piano students will be able to finger Bach Prelude in C sleep more comfortable for any occasion. But this is not the case for all works such as Bach inventions or exuberant Liszt. Shift to a performance that is not within a reasonable range of training comfort is defective and potentially dangerous. When the tension starts to put on their piano lessons, a regression to a little less difficult. It may even be repeated several times until they are sufficiently flexible. If you feel concerned about their progress in training day, given that the pianists perform during a concert last call an hour before a technique can even help put your mind at ease to give your body time to warm up.
It is also essential to use gravity as possible. It is seldom necessary to release the arms or hands down the muscle. With the agreements, their hands only an estimation of the starting height on the keyboard will suffice in almost any situation. Even the strong dynamics can be reached by a small weight only arm on the keys with your fingers. With the notes played in series, its power comes your shoulders and not in the joints of the fingers or knuckles. If you need to play a series aloud, for example, do not press the keys with force with his fingers, but let the weight of his entire arm to fall from the shoulder and elbow, where appropriate, through the pressure of his hands and fingers, as outcomes. This requires a conscious effort hand and become second nature to practice maturity.
Also, remember not the belt. Reaching for the lowest octave hand right can be very stressful. This strain can be alleviated with a simple full tilt your torso. Do not be shy about moving your body around when you play the piano. In many pianists, has expressed this point as mannerist style, which may or may not find the right solution to your liking. But depending on the work or can be necessary to effective for the audience and his staff.
You must also ensure that the work they are learning is the appropriate school level for you. If reality is it's too difficult, may not be able to eliminate the tension arm, simply because the amount of training they have had that are not sufficiently familiar with the piano. This is usually the case when it is heated for several hours and the current tension arm with this job very particular. If this sounds like you, do not force to do the job! Grant to play a slow version of it for a while, or go back where he has acquired enough technology. This will one of the hardest things an ambitious piano student faces. But it is a sad reality that must be taken seriously.
A pianist must always be aware increasing the tension in your arms and make the effort to correct to avoid thereafter with relaxation techniques or economically free calm. Under pressure is absolutely one of the worst things that can support a piano, because what it will entail. As a matter of fact, the nature of the piano is the catalyst ideal for hand injuries, it is very repetitive and the lesion is anatomically, which is the most difficult to cure. You should make every effort to integrate relaxation with their training. Use this information as a starting point for this.
E. Chung is a student of classical piano and webmaster at Piano Lessons with Master Teachers, a freely available collection of interviews held with over 30 legendary concert pianists and teachers concerning the art of piano mastery. To learn more, visit his website at http://www.piano-lessons-master-teachers.com.
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